The large carving work, Yu Gong Yi Shan, by Hu Xianmin. (Photo provided to China Daily)
"I think it's in the genes of Chinese. There might be momentary interest or curiosity about Western-style villas or castles, but it's always the traditional Chinese pavilions and upturned-eaves on roofs that we find comfort in," said Hu, referring to the growing interest in wood carving.
The only son of a family that makes a living through farming, Hu became a wood carver immediately after he completed his mandatory education. While he was initially keen on becoming a painter, he eventually chose wood carving because he was told that it could provide a better livelihood. He later discovered that his painting skills allowed him to create more vivid creations on wood.
Today, Hu's studio is staffed by more than 30 people and 70 apprentices. Every year,they produce one to two large carving works that are typically taller than an average human. They also produce a score of smaller works that are usually used as decorations on beams and pillars of old houses that have been restored.
Hu noted that most of his clients are more interested in the quality and customization of his work than the price tag.
"In an era where everything can be 3D printed, the value of hand-carved works would only be appreciated further," he said.
