For leading actor Barrosz Porczyk, the role of Gustaw was a feat of memorization as well as artistic virtue, requiring more than six months to master the play's 1600 lines or so of poetry, and almost one-hundred minute's worth of soliloquy. Yet he holds the audience spellbound with his singing and acting, taking them on a rich and varied emotional journey that - notwithstanding the play's melancholic themes - elicits a lot of laughter and applause along the way.
"As the director wants to show the whole of the original work in one play, we can't cut out the music part. And we both believe music is a crucial element to the character. And sometimes, music tells us more then just words. What's more, most previous interpretations of Gustaw are very sad from the beginning to the end. We don't like that. We want to make it a symbol of life, how he is filled with energy and excitement toward life, and wants to experience life to its fullest," said Barrosz Porczyk, an actor.
This is first trip in China both for the director and his play.
"I have a feeling that a Polish guy living in Russia and Paris in the 19th century, and the 21st-Century Chinese person can meet. That means almost anybody can meet in the whole world. That means there's a chance that we can communicate," Zadara said.
The journey may be long for Chinese audiences, but like all epic tales, this one is worth the wait.
