Modernized Tibetan opera eyes world stages

In front of a forest backdrop projected on a screen, a group of Tibetan "hunters" wearing blue masks dance into the limelight, followed by a costumed "prince" and hymn-singing "fairies."

This is a modern rendition of a centuries-old Tibetan opera. Its songs, dances and costumes remain faithful to the original forms. The only difference is that it was staged in a modernized theater with fancy visual and acoustic effects.

Moreover, the audience for the show -- on Wednesday -- included many foreigners, many of whom were visiting Lhasa, capital of southwest China's Tibet Autonomous Region, where the theater is located.

This updating of Tibetan opera and the cultivation of foreign fans are typical of efforts within the art form to strengthen its prospects.

"Tibetan operas are unique among all Chinese operas. It carries the special memories and cultures of the Tibetan people," says Liu Zhiqun, former deputy director of the Tibet Ethnic Art Institute.

Incorporating Tibetan poetry, music, dance, painting and acrobatics, Tibetan operas have been dubbed the "living fossil" of Tibetan culture. Once having had only local Tibetans in its audience, the art form is now appealing to more domestic and overseas culture vultures after being moved into theaters with the addition of modern stage elements, Liu explains.

He says Tibetan operas were once "open-air performances" staged in villages, farms and nobles' yards on festive occasions, with the only instruments being drums and cymbals.

"Now, apart from performances still thriving in rural areas, we have theater adaptations that feature the use of modern technologies -- we can add computerized sounds of birds and thunderstorms to make the scenes look vivid," according to Liu.